Author
Aeschylus is documented in Fuller’s published essays (1846). One work is named, all in Philharmonic Concert., and the most intensive engagement recorded is “mentioned”.
Additional passages preserved in the Memoirs (1852)
Reprints, Memoirs passages, and repeat notes within a single manuscript are shown but never counted twice. Evidence for this author is selective, not exhaustive. Methodology →
This page brings together documented engagements currently identified within the Fuller Reading Worlds catalog.
Selected passages from Fuller’s own writings, in chronological order.
“who would like to drop suddenly from the Prometheus of Æschylus to–Stanzas on a broken Ring, by Alaric A. Watts?!”
Fuller, Margaret. "Philharmonic Concert." New-York Daily Tribune, 20 January 1846. · 20 January 1846
Passages surviving only in the posthumous Memoirs of Margaret Fuller Ossoli, compiled by Emerson, Channing, and Clarke.
“Margaret was struck with the singular fineness of his perceptions...”
Emerson, Ralph Waldo, William Henry Channing, and James Freeman Clarke, eds. Memoirs of Margaret Fuller Ossoli. 2 vols. Boston: Phillips, Sampson and Company, 1852.
Inferred While the specific work by Aeschylus is not named, Margaret Fuller engages with the ancient Greek tragedian through Ralph Waldo Emerson's recollection of her keen perceptions and enthusiastic reception of his legacy, alongside other literary giants.