Author

James Sheridan Knowles(1784–1862)

James Sheridan Knowles is documented in Fuller’s books and manuscripts (1820–1846). One work is named, most often in On John Vandenhoff's Acting, and the most intensive engagement recorded is “analyzed”.

Engagement
AnalyzedReadMentioned
Present in
Books · Manuscripts
Documented
1820–1846
Totals count documented engagements, once at the earliest witness. How we count →

Reprints, Memoirs passages, and repeat notes within a single manuscript are shown but never counted twice. Evidence for this author is selective, not exhaustive. Methodology →

In Fuller’s words

“The affected idiocy of Brutus, the real insanity of Virginius he acted with considerable talent, the latter best, as was to be expected. In one passage where after his paroxysms of frienzied excitement he would seem to return to his old bias”
Virginius · On John Vandenhoff's Acting · 1820

When Fuller engaged with James Sheridan Knowles

I. Childhood
II. Adolescence1record
III. Self-Directed
IV. Transcendentalist
V. New York
VI. Europe1record
✦. Memoirs (1852)
1810
1820
1832
1836
1844
1846
1850

This page brings together documented engagements currently identified within the Fuller Reading Worlds catalog.

Knowles in Fuller’s reading world

Documentary evidence

Selected passages from Fuller’s own writings, in chronological order.

1820—

On John Vandenhoff's Acting

p1–p2
analyzed · readManuscript page
“The affected idiocy of Brutus, the real insanity of Virginius he acted with considerable talent, the latter best, as was to be expected.”

Fuller, Margaret. "On John Vandenhoff's Acting." Boston Public Library Archives & Special Collections; MS Am. 1450; Box: 3, Folder: 123.

1846—

Papers on Literature and Art

“it is certainly less painful, on the whole, to see a play of Knowles's than one of Shakspeare's [...] Virginius, the Hunchback, Metamora, are plays quite good enough for the stage at present”

The same sentence also names The Hunchback. Counted as one engagement.

Fuller, Margaret. Papers on Literature and Art. New York: Wiley and Putnam, 1846.