Author

Adam Oehlenschläger(1779–1850)

Adam Oehlenschläger is documented in Fuller’s reading notebooks (1836). One work is named, all in Notebook: Bouquet, 1836–1837, and the most intensive engagement recorded is “excerpted”.

Engagement
ExcerptedAnalyzedReadMentioned
Present in
Notebooks
Documented
1836
Totals count documented engagements, once at the earliest witness. How we count →

Reprints, Memoirs passages, and repeat notes within a single manuscript are shown but never counted twice. Evidence for this author is selective, not exhaustive. Methodology →

In Fuller’s words

“From Oehlenschlagers Correggio / Michel Angelo / Ist mehr Titan als Gott, und seine Grösse [...] Very beautiful in this play is the passage in which the gentle artist finds his plan and so undoubtingly manifests his convictions about himself on seeing the St Cecilia of Raphael. / Ja, lieber Herr! Hier fühlte ich mein Leben! [...]”
Correggio: Ein Trauerspiel [Correggio: A Tragedy] · Notebook: Bouquet, 1836–1837 · 1836

When Fuller engaged with Adam Oehlenschläger

I. Childhood
II. Adolescence
III. Self-Directed
IV. Transcendentalist1record
V. New York
VI. Europe
✦. Memoirs (1852)
1810
1820
1832
1836
1844
1846
1850

This page brings together documented engagements currently identified within the Fuller Reading Worlds catalog.

Oehlenschläger in Fuller’s reading world

Documentary evidence

Selected passages from Fuller’s own writings, in chronological order.

1836—

Notebook: Bouquet, 1836–1837

p133–p134
excerpted · analyzed · readManuscript page
“From Oehlenschlagers Correggio / Michel Angelo / Ist mehr Titan als Gott, und seine Grösse [...] Very beautiful in this play is the passage in which the gentle artist finds his plan and so undoubtingly manifests his convictions about himself on seeing the St Cecilia of Raphael.”

Fuller, Margaret. "Notebook: Bouquet, 1836–1837." Houghton Library, Harvard University; bMS Am 1086 (43); Box 6 (43).