Author
Bryan Waller Procter (Barry Cornwall) is documented in Fuller’s published essays and manuscripts (1845). No work is named in the surviving passages, most often in On Conversation with R.H. Dana, and the most intensive engagement recorded is “analyzed”.
Additional passages preserved in the Memoirs (1852)
Reprints, Memoirs passages, and repeat notes within a single manuscript are shown but never counted twice. Evidence for this author is selective, not exhaustive. Methodology →
“Eliza, Cary, Proctor, Cunningham, Bowring, Barton, Hazlitt, Elton, Hartley, Coleridge, Talfourd; Soane, Horace Smith, Reynolds, Poole, Clare, and Thomas Benyon”
This page brings together documented engagements currently identified within the Fuller Reading Worlds catalog.
Selected passages from Fuller’s own writings, in chronological order.
“Eliza, Cary, Proctor, Cunningham, Bowring, Barton, Hazlitt, Elton, Hartley, Coleridge, Talfourd; Soane, Horace Smith, Reynolds, Poole, Clare, and Thomas Benyon”
Fuller, Margaret. "Thomas Hood." New-York Daily Tribune, 9 August 1845. · 9 August 1845
Undated
Pieces with no legible date. They are part of the record but cannot be placed on the lifeline.
“It is to music what Barry Cornwall's verse or [illegible] is to poetry. It is completely modern, the music of the age of consciousness.”
Fuller, Margaret. "On Conversation with R.H. Dana." Boston Public Library Archives & Special Collections; MS Am. 1450.
Passages surviving only in the posthumous Memoirs of Margaret Fuller Ossoli, compiled by Emerson, Channing, and Clarke.
“It is to music what Barry Cornwall's verses and Talfourd's Ion are to poetry.”
Emerson, Ralph Waldo, William Henry Channing, and James Freeman Clarke, eds. Memoirs of Margaret Fuller Ossoli. 2 vols. Boston: Phillips, Sampson and Company, 1852.
Inferred This entry addresses a work identified only as "Barry Cornwall's verses," a pen name for Bryan Waller Procter.