Author

Friedrich August Moritz Retzsch(1779–1857)

Friedrich August Moritz Retzsch is documented in Fuller’s letters (1830–1836). 2 distinct works are named, most often in Letter to Amelia Greenwood, and the most intensive engagement recorded is “analyzed”.

Engagement
AnalyzedReadMentioned
Present in
Letters
Documented
1830–1836
Totals count documented engagements, once at the earliest witness. How we count →

Reprints, Memoirs passages, and repeat notes within a single manuscript are shown but never counted twice. Evidence for this author is selective, not exhaustive. Methodology →

In Fuller’s words

“He brought me Retsch's Illust. of Hamlet spoiled in copying I presume for they were the weakest burlesque—and one could not trace any talent in the designs either.”
Gallerie zu Shakspeare's dramatischen Werken: In Umrissen · Letter to Amelia Greenwood · 1830

When Fuller engaged with Friedrich August Moritz Retzsch

I. Childhood
II. Adolescence1record
III. Self-Directed
IV. Transcendentalist1record
V. New York
VI. Europe
✦. Memoirs (1852)
1810
1820
1832
1836
1844
1846
1850

This page brings together documented engagements currently identified within the Fuller Reading Worlds catalog.

Retzsch in Fuller’s reading world

Documentary evidence

Selected passages from Fuller’s own writings, in chronological order.

1830—

Letter to Amelia Greenwood

p163
analyzed
“He brought me Retsch's Illust. of Hamlet spoiled in copying I presume for they were the weakest burlesque—and one could not trace any talent in the designs either.”

Fuller, Margaret. The Letters of Margaret Fuller. Edited by Robert N. Hudspeth. Vol. I. Ithaca: Cornell University Press, 1983.

Hudspeth identified Moritz Retzsch (1779–1857) as a German painter whose illustrated gallery was published in London and Leipzig in 1828.

1836—

Letter to Ellen K. Fuller

p251
analyzed · read
“I am very familiar with Retsch's illustrations of Faust and admire them much.”

Fuller, Margaret. The Letters of Margaret Fuller. Edited by Robert N. Hudspeth. Vol. I. Ithaca: Cornell University Press, 1983.