Author

Richard Brinsley Sheridan(1751–1816)

Richard Brinsley Sheridan is documented in Fuller’s books and published essays (1845–1846). No work is named in the surviving passages, most often in Thomas Hood., and the most intensive engagement recorded is “mentioned”.

Engagement
Mentioned
Present in
Books · Essays
Documented
1845–1846
Totals count documented engagements, once at the earliest witness. How we count →

Reprints, Memoirs passages, and repeat notes within a single manuscript are shown but never counted twice. Evidence for this author is selective, not exhaustive. Methodology →

In Fuller’s words

“A little higher stood those, who excelled in invention of plots, preg- nant crises, or brilliant point of dialogue, but both degraded the drama, Sheridan scarcely less than Gibber; and Garrick and the Kembles, while they lighted up the edifice, left slow fire for its destruction.”
The Modern Drama · 1846

When Fuller engaged with Richard Brinsley Sheridan

I. Childhood
II. Adolescence
III. Self-Directed
IV. Transcendentalist
V. New York1record
VI. Europe1record
✦. Memoirs (1852)
1810
1820
1832
1836
1844
1846
1850

This page brings together documented engagements currently identified within the Fuller Reading Worlds catalog.

Documentary evidence

Selected passages from Fuller’s own writings, in chronological order.

1845—

Thomas Hood.

“Thomas Hood.”
mentioned
“as when Sheridan, on such an occasion, opened his lips for the first time to say that "he liked currant jelly”

Also reprinted in Life Without and Life Within; or, Reviews, Narratives, Essays, and Poems. Counted once, at its first appearance.

Fuller, Margaret. "Thomas Hood." New-York Daily Tribune, 18 July 1845. · 18 July 1845

1846—

The Modern Drama

“The Modern Drama”
mentioned
“A little higher stood those, who excelled in invention of plots, preg- nant crises, or brilliant point of dialogue, but both degraded the drama, Sheridan scarcely less than Gibber; and Garrick and the Kembles, while they lighted up the edifice, left slow fire for its destruction.”

Fuller, Margaret. Papers on Literature and Art. New York: Wiley and Putnam, 1846. · p116

Also printed in Art, Literature, and the Drama (1869), p116; page given is to the 1869 reprint.