WorkWilliam Ellery Channing

Conversations in Rome: Between an Artist, a Catholic, and a Critic

Conversations in Rome: Between an Artist, a Catholic, and a Critic (1847) Inferred

William Ellery Channing (1780–1842) · 1847

InferredFuller mentions Ellery Channing's book, explicitly stating she has not read it but has heard it is "very much liked." Hudspeth identified it as probably William Ellery Channing's *Conversations in Rome: Between an Artist, a Catholic, and a Critic*.

Mentioned

Documented 1848

Letters

Selected engagements, in chronological order.

Totals count documented engagements, once at the earliest witness. How we count →

Reprints, Memoirs passages, and repeat notes within a single manuscript are shown but never counted twice. Evidence for this work is selective, not exhaustive. Methodology →

When Fuller engaged with this work

I. Childhood

II. Adolescence

III. Self-Directed

IV. Transcendentalist

V. New York

VI. Europe1record

✦. Memoirs (1852)

1810

1820

1832

1836

1844

1846

1850

1848—

Letter to Ellen Fuller Channing

p45

mentioned

“I never saw Ellery's book; we see nothing here that is not Italian; hardly a newspaper; but I hear it is very much liked.”

Fuller, Margaret. The Letters of Margaret Fuller. Edited by Robert N. Hudspeth. Vol. V. Ithaca: Cornell University Press, 1988.

Inferred Fuller mentions Ellery Channing's book, explicitly stating she has not read it but has heard it is "very much liked." Hudspeth identified it as probably William Ellery Channing's Conversations in Rome: Between an Artist, a Catholic, and a Critic.