WorkJames Freeman Clarke

“Niagara. The Bridge by Moonlight" [unpublished manuscript poem, Fuller saw it 'in print' — possibly a broadside or periodical version]”

James Freeman Clarke (1810–1888) · 1834

InferredFuller quotes two lines from Clarke's "Niagara.

AnalyzedQuotedReadMentioned

Documented 1835

Letters

Selected engagements, in chronological order.

Totals count documented engagements, once at the earliest witness. How we count →

Reprints, Memoirs passages, and repeat notes within a single manuscript are shown but never counted twice. Evidence for this work is selective, not exhaustive. Methodology →

DemonstratedConfirmed reading1835Evidence ↓

Confirmed reading

Passages where the evidence goes beyond allusion to indicate that Fuller had this work in hand — an explicit statement of reading, sustained excerpting or translation, or a specific reading episode recorded by those who knew her.

  • Dated
  • 1835Niagara. The Bridge by Moonlight. To Ellen SturgisDemonstrated

    “thus goes the old / Or if it stays, its flower and freshness gone Fetters the limb weighs down the heart like stone”

    Letters of Margaret Fuller ed. Hudspeth · Groton 1st Feb 1835

    Several consecutive lines of Clarke's poem quoted verbatim, a sustained excerpt rather than a phrase.

When Fuller engaged with this work

I. Childhood
II. Adolescence
III. Self-Directed1record
IV. Transcendentalist
V. New York
VI. Europe
✦. Memoirs (1852)
1810
1820
1832
1836
1844
1846
1850
1835—

Letter to James F. Clarke

p220
analyzed · quoted · read
“by which I was reminded of some lines of yours which I saw lately not where I should have seen them first!”

Fuller, Margaret. "To James F. Clarke, 1 February 1835." In The Letters of Margaret Fuller, Vol. I: 1817–1838, edited by Robert N. Hudspeth, 219–222. Ithaca: Cornell University Press, 1983.

Inferred Fuller quotes two lines from Clarke's "Niagara.

To Ellen Sturgis, August 1834," saying the lines have "quite obliterated the impression your yawning account of Niagara made upon me last summer." Though Hudspeth notes the poem was never published (existing only in manuscript copies), Fuller says she saw it "in print,"which may refer to a written manuscript copy she encountered.