WorkAscanio Condivi

Vita di Michelagnolo Buonarroti

Vita di Michelagnolo Buonarroti (1553) Inferred

Ascanio Condivi (1525–1574) · 1553

InferredFuller does not name the work, but Condivi is known by a single major publication.

Mentioned

Additional passages preserved in the Memoirs (1852)

Notebooks

Selected engagements, in chronological order.

Totals count documented engagements, once at the earliest witness. How we count →

Reprints, Memoirs passages, and repeat notes within a single manuscript are shown but never counted twice. Evidence for this work is selective, not exhaustive. Methodology →

When Fuller engaged with this work

I. Childhood
II. Adolescence
III. Self-Directed
IV. Transcendentalist
V. New York
VI. Europe
✦. Memoirs (1852)1record
1810
1820
1832
1836
1844
1846
1850

Undated

Pieces with no legible date. They are part of the record but cannot be placed on the lifeline.

n.d.—

Notebook: Artists

p87
“Condivi gives the / impression that the / pen alone was used / in the time of Michel, / for sketches or studies / on paper”

Fuller, Margaret. "Notebook: Artists." Houghton Library, Harvard University; bMS Am 1086 (94); Box 6.

Inferred Fuller does not name the work, but Condivi is known by a single major publication.

Preserved in the Memoirs (1852)

1852—

Memoirs of Margaret Fuller Ossoli

p46
read
“She read Condivi, Vasari, Benvenuto Cellini, Duppa, Fuseli, and Von Waagen — great and small.”

Emerson, Ralph Waldo, William Henry Channing, and James Freeman Clarke, eds. Memoirs of Margaret Fuller Ossoli. 2 vols. Boston: Phillips, Sampson and Company, 1852.