WorkPierre-Jean de Béranger

“Le Violon brisé," in Chansons”

AnalyzedReadMentioned

Documented 1839

Manuscripts

Selected engagements, in chronological order.

Totals count documented engagements, once at the earliest witness. How we count →

Reprints, Memoirs passages, and repeat notes within a single manuscript are shown but never counted twice. Evidence for this work is selective, not exhaustive. Methodology →

AttestedConfirmed reading1839Evidence ↓

Confirmed reading

Passages where the evidence goes beyond allusion to indicate that Fuller had this work in hand — an explicit statement of reading, sustained excerpting or translation, or a specific reading episode recorded by those who knew her.

Dated
1839ChansonsAttested
“I have lately been reading some of Beranger's Chansons.”
Manuscripts (Houghton Library, Margaret Fuller Family Papers) · Sept 1839_
MERGED 2026-10-11: absorbed duplicate witness(es) re557 (Mem-2 Memoirs of Margaret Fuller Ossoli (sections), Mem-2-05, line 11093; tier A; same passage) — counted once here. 'I have lately been reading some of Beranger's Chansons' is an explicit, dated first-person reading statement.

When Fuller engaged with this work

I. Childhood

II. Adolescence

III. Self-Directed

IV. Transcendentalist1record

V. New York

VI. Europe

✦. Memoirs (1852)

1810

1820

1832

1836

1844

1846

1850

1839—

Notes on Balzac, George Sand, De Vigny, and Béranger

p52

analyzed · readManuscript page

“I admire also Le Violon brisé, for its grace and sweetness,”

Fuller, Margaret. "Notes on Balzac, George Sand, De Vigny, and Béranger." Houghton Library, Harvard University.