WorkFrançois-Joseph Fétis

Biographie universelle des musiciens [Universal Biography of Musicians]

François-Joseph Fétis (1784–1871) · 1835-1844

InferredHudspeth identified: Tuckerman's review essay was a review of Fétis's Biographie universelle des musiciens; Fuller read the review and thus engaged with Fétis's work at one remove. Fuller does not name Fétis directly; she is reading a review of his work rather than Fétis himself.

Mentioned

Documented 1840

Letters

Selected engagements, in chronological order.

Totals count documented engagements, once at the earliest witness. How we count →

Reprints, Memoirs passages, and repeat notes within a single manuscript are shown but never counted twice. Evidence for this work is selective, not exhaustive. Methodology →

When Fuller engaged with this work

I. Childhood

II. Adolescence

III. Self-Directed

IV. Transcendentalist1record

V. New York

VI. Europe

✦. Memoirs (1852)

1810

1820

1832

1836

1844

1846

1850

1840—

Letter to Caroline Sturgis

p174

mentioned

“Mr Brownson's review containing Frank Tuckerman's lecture.”

Fuller, Margaret. The Letters of Margaret Fuller. Edited by Robert N. Hudspeth. Vol. II. Ithaca: Cornell University Press, 1984.

Inferred Hudspeth identified: Tuckerman's review essay was a review of Fétis's Biographie universelle des musiciens; Fuller read the review and thus engaged with Fétis's work at one remove. Fuller does not name Fétis directly; she is reading a review of his work rather than Fétis himself.

Hudspeth identified: Tuckerman's review essay was a review of Fétis's Biographie universelle des musiciens; Fuller read the review and thus engaged with Fétis's work at one remove.