WorkGeorge Field

Chromatography; or, A Treatise on Colours and Pigments

Chromatography; or, A Treatise on Colours and Pigments (London: Tilt and Bogue, 1835), Inferred

George Field (1777–1854) · London: Tilt and Bogue, 1835

InferredHudspeth identified George Field's *Chromatography* (1835), the standard scientific-aesthetic reference on color pigments for artists.

AnalyzedReadMentioned

Documented 1844

Letters

Selected engagements, in chronological order.

Totals count documented engagements, once at the earliest witness. How we count →

Reprints, Memoirs passages, and repeat notes within a single manuscript are shown but never counted twice. Evidence for this work is selective, not exhaustive. Methodology →

When Fuller engaged with this work

I. Childhood

II. Adolescence

III. Self-Directed

IV. Transcendentalist

V. New York1record

VI. Europe

✦. Memoirs (1852)

1810

1820

1832

1836

1844

1846

1850

1844—

Letter to Maria Rotch

p171

analyzed · read

“and of colorists, Field which I had here last winter is an interesting book.”

Fuller, Margaret. The Letters of Margaret Fuller. Edited by Robert N. Hudspeth. Vol. III. Ithaca: Cornell University Press, 1986.

Inferred Hudspeth identified George Field's Chromatography (1835), the standard scientific-aesthetic reference on color pigments for artists.