WorkAlessandro Manzoni

Il Conte di Carmagnola [The Count of Carmagnola]

Il Conte di Carmagnola [The Count of Carmagnola], Act II Chorus (Milan: P. E. Giusti, 1820)

Alessandro Manzoni (1785–1873) · Milan: P. E. Giusti, 1820

ExcerptedAnalyzedQuotedReadMentioned

Documented 1835–1846

Additional passages preserved in the Memoirs (1852)

Books • Manuscripts

Selected engagements, in chronological order.

Totals count documented engagements, once at the earliest witness. How we count →

Reprints, Memoirs passages, and repeat notes within a single manuscript are shown but never counted twice. Evidence for this work is selective, not exhaustive. Methodology →

DemonstratedConfirmed reading1835Evidence ↓

Confirmed reading

Passages where the evidence goes beyond allusion to indicate that Fuller had this work in hand — an explicit statement of reading, sustained excerpting or translation, or a specific reading episode recorded by those who knew her.

  • Dated
  • 1835Il Conte di CarmagnolaDemonstrated

    “Tolga il ciel che alcuno Piu altamente di me pensi ch'io stesso. — Carmagnola / What author beside Manzoni would have ventured on such a sentiment...”

    Manuscripts (Houghton Library, Margaret Fuller Family Papers) · 1835 Nov-

    Manuscript notebook entry copying a substantial Italian passage with accompanying commentary from Manzoni's play.

When Fuller engaged with this work

I. Childhood
II. Adolescence
III. Self-Directed1record
IV. Transcendentalist
V. New York1record
VI. Europe1record
✦. Memoirs (1852)1record
1810
1820
1832
1836
1844
1846
1850
1835—

Poems, Others

pp8–9, 29
excerpted · analyzed · quoted · readManuscript page
“Tolga il ciel che alcuno / Più altamente di me pensi ch'io stesso. — Carmagnola" ...”

Fuller, Margaret. "Poems, Others." Houghton Library, Harvard University; bMS Am 1086.

1845—

Woman in the Nineteenth Century

Act II Chorus
excerpted · quoted · read
“Tutti fatti a sembianza d'an Solo, / Figli tutti d'un solo riscatto, / In qual'ora, in qual parte del suolo / Trascorriamo quest' aura vital, / Siam fratelli, siam stretti ad un patto /: / Maladetto colui clie loinfrangc, / Che s'innalza sul fiacco che piange / Che contrista uno spirto immortal.”

Fuller, Margaret. Woman in the Nineteenth Century. New York: Greeley & McElrath, 1845.

The footnote reads '* Manzoni.' (source line 1226).

1846—

New-York Daily Tribune

“Philip Van Artevelde” · 1845
analyzed · read
“We would compare Mr. Taylor with the most applauded of living dramatists, the Italian Alessandro Manzoni. [...] 'Carmagnola, Adelchis die,' ?”

Fuller, Margaret. Life Without and Life Within; or, Reviews, Narratives, Essays, and Poems. Edited by Arthur B. Fuller. Boston: Brown, Taggard and Chase, 1860. · p140

Undated

Pieces with no legible date. They are part of the record but cannot be placed on the lifeline.

n.d.—

On Pain

p3
analyzed · quoted · readManuscript page
“I keep thinking of the lines by the purified Manzoni.”

Fuller, Margaret. "On Pain." Boston Public Library Archives & Special Collections; MS Am. 1450; Box: 2, Folder: 93.

Preserved in the Memoirs (1852)

1820—

Memoirs of Margaret Fuller Ossoli

p6
quoted · read
“She quoted from Manzoni's Carmagnola, the lines: — 'Tolga il ciel che alcuno Piu altamente di me pensi ch'io stesso.' 'God forbid that any one should conceive more highly of me than I myself.”

Emerson, Ralph Waldo, William Henry Channing, and James Freeman Clarke, eds. Memoirs of Margaret Fuller Ossoli. 2 vols. Boston: Phillips, Sampson and Company, 1852.

This entry identifies a quotation from Alessandro Manzoni's tragedy, Il Conte di Carmagnola (1820).