WorkJohn Milton

Comus: A Masque Presented at Ludlow Castle

Comus: A Masque Presented at Ludlow Castle (1634), Inferred

John Milton (1608–1674) · 1634

QuotedReadMentioned

Documented 1841–1845

Letters • Books • Manuscripts

Selected engagements, in chronological order.

Totals count documented engagements, once at the earliest witness. How we count →

Reprints, Memoirs passages, and repeat notes within a single manuscript are shown but never counted twice. Evidence for this work is selective, not exhaustive. Methodology →

When Fuller engaged with this work

I. Childhood
II. Adolescence
III. Self-Directed
IV. Transcendentalist2records
V. New York1record
VI. Europe
✦. Memoirs (1852)
1810
1820
1832
1836
1844
1846
1850
1841—

Genesis of the Greek Gods

p4
quoted · readManuscript page
“Turn a silver lining to the night.”

Fuller, Margaret. "Genesis of the Greek Gods." Houghton Library, Harvard University; bMS Am 1086.

1842—

Letter to Elizabeth Hoar

p47
quoted · read
“Your letter was a little golden ket to a whole volume of thoughts and feelings”

Fuller, Margaret. The Letters of Margaret Fuller. Edited by Robert N. Hudspeth. Vol. III. Ithaca: Cornell University Press, 1986.

Inferred Fuller paraphrases Milton's image of the "Golden Key" from Comus (lines 12–14), which opens "the Palace of Eternity," and applies it metaphorically to Elizabeth Hoar's letter. Hudspeth's notes identify the source. Fuller uses the image without naming the source work.

Hudspeth's notes identify the source.

1845—

Woman in the Nineteenth Century

p122
read
“art yet of that unpolluted nature which Milton saw when he dreamed of Comus and the Paradise.”

Fuller, Margaret. Woman in the Nineteenth Century. New York: Greeley & McElrath, 1845.