WorkAnn Radcliffe

The Mysteries of Udolpho, The Italian

Ann Radcliffe (1764–1823) · 1794

InferredFuller uses the phrase 'à la Radcliffe' to characterize the Gothic atmosphere of a 'room in the Castle of Löwenstein, long disused' ? evoking the Gothic novels of Ann Radcliffe as a generic touchstone for atmospheric dread in crumbling aristocratic settings

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Documented 1843

Books

Selected engagements, in chronological order.

Totals count documented engagements, once at the earliest witness. How we count →

Reprints, Memoirs passages, and repeat notes within a single manuscript are shown but never counted twice. Evidence for this work is selective, not exhaustive. Methodology →

When Fuller engaged with this work

I. Childhood

II. Adolescence

III. Self-Directed

IV. Transcendentalist

V. New York1record

VI. Europe

✦. Memoirs (1852)

1810

1820

1832

1836

1844

1846

1850

1843—

Summer on the Lakes, in 1843

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“sometimes it is "a room in the Castle of Löwenstein, long disused," à la Radcliffe, sometimes "a deserted kitchen.”

Fuller, Margaret. Summer on the Lakes, in 1843. Boston: Little, Brown & Co., 1844.

Inferred Fuller uses the phrase 'à la Radcliffe' to characterize the Gothic atmosphere of a 'room in the Castle of Löwenstein, long disused' ? evoking the Gothic novels of Ann Radcliffe as a generic touchstone for atmospheric dread in crumbling aristocratic settings