WorkSalvator Rosa

Six Etchings from Salvator-Rosa

Six Etchings from Salvator-Rosa (London, 1788), from Brimmer Donation at Boston Athenaeum]

Salvator Rosa (1615–1673) · London, 1788

InferredFuller examined a book of studies by Salvator Rosa at the Boston Athenaeum and recorded that she "got many thoughts of my journal" from viewing it; as Hudspeth identified as likely the 1788 London edition of Six Etchings from Salvator-Rosa, from the Brimmer Donation.

AnalyzedReadMentioned

Documented 1839

Letters

Selected engagements, in chronological order.

Totals count documented engagements, once at the earliest witness. How we count →

Reprints, Memoirs passages, and repeat notes within a single manuscript are shown but never counted twice. Evidence for this work is selective, not exhaustive. Methodology →

When Fuller engaged with this work

I. Childhood

II. Adolescence

III. Self-Directed

IV. Transcendentalist1record

V. New York

VI. Europe

✦. Memoirs (1852)

1810

1820

1832

1836

1844

1846

1850

1839—

Letter to Ralph Waldo Emerson

p32

analyzed · read

“There was a book of studies from Salvator Rosa, from the Brimmer Donation, at the Athenaeum, which I looked over with great delight and got many thoughts of my journal.”

Fuller, Margaret. The Letters of Margaret Fuller. Edited by Robert N. Hudspeth. Vol. II. Ithaca: Cornell University Press, 1984.

Inferred Fuller examined a book of studies by Salvator Rosa at the Boston Athenaeum and recorded that she "got many thoughts of my journal" from viewing it; as Hudspeth identified as likely the 1788 London edition of Six Etchings from Salvator-Rosa, from the Brimmer Donation.