WorkFriedrich Schiller

“Ode to Joy”

Friedrich Schiller (1759–1805)

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Documented 1846

Books • Essays

Selected engagements, in chronological order.

Totals count documented engagements, once at the earliest witness. How we count →

Reprints, Memoirs passages, and repeat notes within a single manuscript are shown but never counted twice. Evidence for this work is selective, not exhaustive. Methodology →

When Fuller engaged with this work

I. Childhood
II. Adolescence
III. Self-Directed
IV. Transcendentalist
V. New York
VI. Europe3records
✦. Memoirs (1852)
1810
1820
1832
1836
1844
1846
1850
1846—

The Grand Concert.

“The Grand Concert.”
mentioned
“We are to have Schiller’s “Ode to Joy,” his sublime address “Be embraced, Millions.”

Fuller, Margaret. "The Grand Concert." New-York Daily Tribune, 20 May 1846. · 20 May 1846

1846—

The Grand Festival Concert at Castle Garden.

“The Grand Festival Concert at Castle Garden.”
mentioned
“But to return to the symphony. The Ode to Joy was an entire failure owing to the want of voices fitted to sustain such words and such music”

Fuller, Margaret. "The Grand Festival Concert at Castle Garden." New-York Daily Tribune, 22 May 1846. · 22 May 1846

1846—

Lives of the Great Composers

“Lives of the Great Composers”
mentioned
“They were such tears as might have been shed on the jubilee of what he loved so much, Schiller's Ode to Joy.”

Fuller, Margaret. Papers on Literature and Art. New York: Wiley and Putnam, 1846. · p278

Also printed in Art, Literature, and the Drama (1869), p278; page given is to the 1869 reprint.

Undated

Pieces with no legible date. They are part of the record but cannot be placed on the lifeline.

n.d.—

Victory.

“Victory.”
quoted · read
“Be embrace Millions, This kiss to the whole world”

Fuller, Margaret. "Victory." New-York Daily Tribune, .