WorkPercy Bysshe Shelley

“Stanzas Written in Dejection, Near Naples”

Stanzas Written in Dejection, Near Naples (composed 1818; first pub. in Posthumous Poems, 1824) Inferred

Percy Bysshe Shelley (1792–1822) · composed 1818; first pub. in Posthumous Poems, 1824

InferredThe phrase "I could lie down like a tired child" quotes stanza 5 of Shelley's "Stanzas Written in Dejection, Near Naples," composed December 1818 and published posthumously in Posthumous Poems. Fuller uses no attribution, relying on the distinctive phrasing to evoke the poem's melancholy register.

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Documented 1824–1843

Letters • Manuscripts

Selected engagements, in chronological order.

Totals count documented engagements, once at the earliest witness. How we count →

Reprints, Memoirs passages, and repeat notes within a single manuscript are shown but never counted twice. Evidence for this work is selective, not exhaustive. Methodology →

When Fuller engaged with this work

I. Childhood
II. Adolescence1record
III. Self-Directed
IV. Transcendentalist1record
V. New York
VI. Europe
✦. Memoirs (1852)
1810
1820
1832
1836
1844
1846
1850
1824—

On a Visit at Atheneum

p1
“And weep away this life of care." / I am indeed, a "tired child”

Fuller, Margaret. "On a Visit at Atheneum." Boston Public Library Archives & Special Collections; MS Am. 1450; Box: 3, Folder: 122.

Inferred Fuller quotes two closely related phrases — 'And weep away this life of care' and 'a tired child' — both in quotation marks and both from the same Shelley stanza; she names no author or title.

1843—

Letter to Anna Barker Ward

p166
quoted · read
“I feel as if 'I could lie down like a tired child' &c”

Fuller, Margaret. The Letters of Margaret Fuller. Edited by Robert N. Hudspeth. Vol. III. Ithaca: Cornell University Press, 1986.

Inferred The phrase "I could lie down like a tired child" quotes stanza 5 of Shelley's "Stanzas Written in Dejection, Near Naples," composed December 1818 and published posthumously in Posthumous Poems. Fuller uses no attribution, relying on the distinctive phrasing to evoke the poem's melancholy register.

Fuller uses no attribution, relying on the distinctive phrasing to evoke the poem's melancholy register.