WorkRobert Southey

Thalaba the Destroyer

Thalaba the Destroyer (1801), Inferred

Robert Southey (1774–1843) · 1801

ExcerptedAnalyzedQuotedReadMentioned

Documented 1836–1846

Books • Notebooks • Manuscripts

Selected engagements, in chronological order.

Totals count documented engagements, once at the earliest witness. How we count →

Reprints, Memoirs passages, and repeat notes within a single manuscript are shown but never counted twice. Evidence for this work is selective, not exhaustive. Methodology →

When Fuller engaged with this work

I. Childhood
II. Adolescence
III. Self-Directed
IV. Transcendentalist2records
V. New York
VI. Europe1record
✦. Memoirs (1852)
1810
1820
1832
1836
1844
1846
1850
1836—

Notebook: Bouquet, 1836–1837

p20–p22
excerpted · readManuscript page
“The Moon is bright, the sea is calm / The little boat rides safely [...] Thalaba.”

Fuller, Margaret. "Notebook: Bouquet, 1836–1837." Houghton Library, Harvard University; bMS Am 1086 (43); Box 6 (43).

1840—

Starry Night Meditation

p1
quoted · readManuscript page
“I had thought it an unusually delicate thought for Southey "Let me no longer suffer hope in Heaven;”

Fuller, Margaret. "Starry Night Meditation." Boston Public Library Archives & Special Collections; MS Am. 1450; Box: 3, Folder: 129.

Inferred Fuller names Southey explicitly and quotes a line she attributes to him: 'Let me no longer suffer hope in Heaven.' The canonical text in Southey's Thalaba the Destroyer, Book XII, reads: 'Let me not longer suffer hope in heaven!' — spoken by Oneiza's voice from Heaven to Thalaba, urging him to complete his quest.

1846—

Papers on Literature and Art

p89
analyzed · quoted · read
“as in "Thalaba," shows a faith in the benignity ... last stage of Thalaba's journey to the Domdaniel Caves”

Fuller, Margaret. Papers on Literature and Art. New York: Wiley and Putnam, 1846.