WorkWilliam Wordsworth

Lyrical Ballads

Lyrical Ballads (1798) and/or The Prelude (written c. 1799?1805) Inferred

William Wordsworth (1770–1850) · 1798

InferredFuller explicitly names 'the Wordsworthian creed': the principle that ordinary daily experience contains sufficient wonder and meaning without resort to the supernatural.

ReadMentioned

Documented 1843

Additional passages preserved in the Memoirs (1852)

Books

Selected engagements, in chronological order.

Totals count documented engagements, once at the earliest witness. How we count →

Reprints, Memoirs passages, and repeat notes within a single manuscript are shown but never counted twice. Evidence for this work is selective, not exhaustive. Methodology →

When Fuller engaged with this work

I. Childhood
II. Adolescence
III. Self-Directed
IV. Transcendentalist
V. New York1record
VI. Europe
✦. Memoirs (1852)1record
1810
1820
1832
1836
1844
1846
1850
1843—

Summer on the Lakes, in 1843

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“Nothing is truer than the Wordsworthian creed, on which Carlyle lays such stress, that we need only look on the miracle of every day, to sate ourselves with thought and admiration every day.”

Fuller, Margaret. Summer on the Lakes, in 1843. Boston: Little, Brown & Co., 1844.

Inferred Fuller explicitly names 'the Wordsworthian creed': the principle that ordinary daily experience contains sufficient wonder and meaning without resort to the supernatural.

Preserved in the Memoirs (1852)

1852—

Memoirs of Margaret Fuller Ossoli

p72
quoted · read
“To speak with open heart and "tongue affectionate and true," — to enjoy real repose and the consciousness of a thorough mutual understanding in the presence of friends when we do meet, is what is needed.”

Emerson, Ralph Waldo, William Henry Channing, and James Freeman Clarke, eds. Memoirs of Margaret Fuller Ossoli. 2 vols. Boston: Phillips, Sampson and Company, 1852.

Inferred In her journal, Margaret Fuller engages with William Wordsworth's Lyrical Ballads (1800), specifically the poem "The Fountain." Fuller draws upon the poem's expression of intimate friendship and open communication, quoting the line, "tongue affectionate and true," to articulate her own thoughts on genuine connection and understanding among friends.