Author

F. Stone

F. Stone is documented in Fuller’s books (1846). One work is named, all in Modern British Poets, and the most intensive engagement recorded is “mentioned”.

Engagement: Mentioned
Present in: Books
Documented: 1846

Totals count documented engagements, once at the earliest witness. How we count →

Reprints, Memoirs passages, and repeat notes within a single manuscript are shown but never counted twice. Evidence for this author is selective, not exhaustive. Methodology →

In Fuller’s words

“But nothing in this volume better deserves attention than " Lines suggested by a Portrait from the pencil of F. Stone," and " Stanzas on the Power of Sound.”

Lines suggested by a Portrait · Modern British Poets · 1846

When Fuller engaged with F. Stone

I. Childhood

II. Adolescence

III. Self-Directed

IV. Transcendentalist

V. New York

VI. Europe1record

✦. Memoirs (1852)

1810

1820

1832

1836

1844

1846

1850

This page brings together documented engagements currently identified within the Fuller Reading Worlds catalog.

Stone in Fuller’s reading world

Lines suggested by a PortraitInferred1846

Documentary evidence

Selected passages from Fuller’s own writings, in chronological order.

1846—

Modern British Poets

“Modern British Poets”

mentioned

“But nothing in this volume better deserves attention than " Lines suggested by a Portrait from the pencil of F. Stone," and " Stanzas on the Power of Sound.”

Fuller, Margaret. Papers on Literature and Art. New York: Wiley and Putnam, 1846. · p109

Inferred Fuller’s words — “But nothing in this volume better deserves attention than " “Lines suggested by a Portrait” from the pencil of F. Stone," and " Stanzas on the Power of Sound."” — point to “Lines suggested by a Portrait”, but she does not give the work’s full title or author here; the identification of the specific work is the editor’s.

Also printed in Art, Literature, and the Drama (1869), p109; page given is to the 1869 reprint.