WorkF. Stone

“Lines suggested by a Portrait”

Lines suggested by a Portrait Inferred

InferredFuller’s words — “But nothing in this volume better deserves attention than " Lines suggested by a Portrait from the pencil of F. Stone," and " Stanzas on the Power of Sound."” — point to Lines suggested by a Portrait, but she does not give the work’s full title or author here; the identification of the specific work is the editor’s.

Mentioned

Documented 1846

Books

Selected engagements, in chronological order.

Totals count documented engagements, once at the earliest witness. How we count →

Reprints, Memoirs passages, and repeat notes within a single manuscript are shown but never counted twice. Evidence for this work is selective, not exhaustive. Methodology →

When Fuller engaged with this work

I. Childhood

II. Adolescence

III. Self-Directed

IV. Transcendentalist

V. New York

VI. Europe1record

✦. Memoirs (1852)

1810

1820

1832

1836

1844

1846

1850

1846—

Modern British Poets

“Modern British Poets”

mentioned

“But nothing in this volume better deserves attention than " Lines suggested by a Portrait from the pencil of F. Stone," and " Stanzas on the Power of Sound.”

Fuller, Margaret. Papers on Literature and Art. New York: Wiley and Putnam, 1846. · p109

Inferred Fuller’s words — “But nothing in this volume better deserves attention than " “Lines suggested by a Portrait” from the pencil of F. Stone," and " Stanzas on the Power of Sound."” — point to “Lines suggested by a Portrait”, but she does not give the work’s full title or author here; the identification of the specific work is the editor’s.

Also printed in Art, Literature, and the Drama (1869), p109; page given is to the 1869 reprint.