WorkEdward Bulwer-Lytton

The Last Days of Pompeii

The Last Days of Pompeii (London: Bentley, 1834)

Edward Bulwer-Lytton (1803–1873) · London: Bentley, 1834

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Documented 1834–1846

Letters • Books • Journals

Selected engagements, in chronological order.

Totals count documented engagements, once at the earliest witness. How we count →

Reprints, Memoirs passages, and repeat notes within a single manuscript are shown but never counted twice. Evidence for this work is selective, not exhaustive. Methodology →

When Fuller engaged with this work

I. Childhood
II. Adolescence
III. Self-Directed1record
IV. Transcendentalist1record
V. New York
VI. Europe1record
✦. Memoirs (1852)
1810
1820
1832
1836
1844
1846
1850
1834—

Letter to Frederic H. Hedge

p213
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“Have you read his Pompeii or dont you read his works now?”

Fuller, Margaret. "To Frederic H. Hedge, 30 November 1834." In The Letters of Margaret Fuller, Vol. I: 1817–1838, edited by Robert N. Hudspeth, 212–215. Ithaca: Cornell University Press, 1983.

1839—

Journal April 1839

p47
excerpted · readManuscript page
“Nydia's love-song. E. L. Bulwer. / 1. / The Wind and the Beam loved the Rose / And the Rose loved one; / For who recks the wind where it blows? / Or loves not the sun / 2.”

Fuller, Margaret. "Journal April 1839." Houghton Library, Harvard University; bMS Am 1086 (Box A); Box 5 (99).

The poem is transcribed in full across four stanzas, exactly matching the novel's text.

1846—

The Modern Drama

“The Modern Drama”
quoted · read
“The soul's dark cottage, battered and decayed, Lets in new light through chinks that time has made.”

Fuller, Margaret. Papers on Literature and Art. New York: Wiley and Putnam, 1846. · p153

Inferred Identification rationale not yet recorded.

Also printed in Art, Literature, and the Drama (1869), p153; page given is to the 1869 reprint.