WorkRobert Southey

Joan of Arc

ExcerptedAnalyzedReadMentioned

Documented 1836–1846

Books • Notebooks

Selected engagements, in chronological order.

Totals count documented engagements, once at the earliest witness. How we count →

Reprints, Memoirs passages, and repeat notes within a single manuscript are shown but never counted twice. Evidence for this work is selective, not exhaustive. Methodology →

When Fuller engaged with this work

I. Childhood

II. Adolescence

III. Self-Directed

IV. Transcendentalist1record

V. New York

VI. Europe2records

✦. Memoirs (1852)

1810

1820

1832

1836

1844

1846

1850

1836—

Notebook: Bouquet, 1836–1837

p18, p25

excerpted · readManuscript page

“All that meets the bodily sense I deem / Symbolical, one mighty alphabet / For infant minds [...] Joan of Arc.”

Fuller, Margaret. "Notebook: Bouquet, 1836–1837." Houghton Library, Harvard University; bMS Am 1086 (43); Box 6 (43).

Fuller copies two passages from Southey's Joan of Arc (1796): (1) the symbolism/allegory passage on p18 (attributed 'Joan of Arc'); (2) the 'For me I know' self-vindication passage on p25.

1846—

Papers on Literature and Art

p91

analyzed · read

“In "Thalaba" and "Joan of Arc," he”

Fuller, Margaret. Papers on Literature and Art. New York: Wiley and Putnam, 1846.

1846—

Modern British Poets

“Modern British Poets”

mentioned

“All Southey's works are instinct, and replete with the experiences of piety, from that fine picture of natural religion, Joan of Arc's confession of faith, to that as noble sermon as ever was preached upon Christianity, the penitence of Roderic the Goth.”

Fuller, Margaret. Papers on Literature and Art. New York: Wiley and Putnam, 1846. · p97

Also printed in Art, Literature, and the Drama (1869), p97; page given is to the 1869 reprint.